KLAVIERSTCK XI STOCKHAUSEN PDF

Karlheinz Stockhausen: Klavierstück Catalogue number: Nr. 7; Year of composition: ; Scored for: for piano; Composer: Karlheinz Stockhausen; Table of. Karlheinz Stockhausen, Klavierstück XI Version 1 für Klavier / for piano; Year of composition: ; Duration: 11’34; Composer: Stockhausen, Karlheinz. By the time of his death in , Karlheinz Stockhausen’s catalogue included 19 works that he listed as Klavierstücke. Of those, however, three.

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It is titled Komet for a percussionist, electronic and concrete musik, and sound projectionist.

Stockhausen made two major changes to the superformula when adapting it for the piano here. Stockhausen deliberately exploits the impossibility of playing all four tones of the repeated chords at exactly the same time and intensity another example of “variable form” stockhausdn, so that the tones constantly and involuntarily shift in prominence. Stockhausen drastically revised and expanded this early version, bringing the grace-note groups into less extreme registers, then using the result as a background for an entirely new set of superimposed figurations based on series quite unrelated to the original material Toop Stockhausen’s design appears to have been to select an equal number of fragments from each row degree of xl of subdivision and each column overall duration of the fragmentexcept for the first column shortest duration and last row most complex subdivision.

Er wird vor allem mit elektronischer Musik in Verbindung gebracht, deren Entwicklung er in den er und er Jahren vorangetrieben hat.

Klavierstück XI, for piano | Details | AllMusic

Still, the quantified details of the work, such as pitch, duration, and tempo, are extensions of serial order and the techniques of total organization. Like many of his colleagues, he experimented with the potentially problematic ideas of performer freedom and unforeseeable results. By using this site, you agree to the Terms of Use and Privacy Policy.

Apart from the layout on the page, Feldman’s piece has nothing in common with Stockhausen’s jlavierstck.

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Karlheinz Stockhausen: Klavierstück 11

Languages Deutsch Edit links. X Frederic Rzewski in Palermo. Each melody begins with a different characteristic interval followed by a semitone in the opposite direction, and this three-note figure continues to predominate in each section: The rhythms of the five layers divide the total duration of the piece While Stockhasen made novel use of such techniques, such formal experiments find their roots in the music of composers like Henry Cowell, John Cage and Earle Brown.

Markings for tempo, dynamics, etc. The relationship of the keys to the production of sound is radically different from xk piano.

Maconie This is accomplished by exchanging some of the neighbouring core tones of the melodies. However, Tudor fell seriously ill early in July and had to cancel his European tour, and so the European premiere took place on 28 Julythe last day of the courses, in the Orangerie at Darmstadt, in two different versions played by the pianist Paul Jacobs and billed in the programme book as the world premiere Misch and Bandur,— November in dieser Version in die Liste der exzellenten Artikel aufgenommen.

The set is dedicated to Marcelle Mercenierthe Belgian pianist who performed the world premiere in Darmstadt on 21 August Decroupet August fertiggestellt worden.

New Directions in Music.

Each section is made up of several groups, of great variety and distinctiveness, ranging from a single, short note near the end of the sixth section to a group of forty-seven notes in the third section Harvey35— Over the olavierstck of the piece, there is a process of mediation between disorder and order. The piece was written for the Micheli Competition, who had commissioned a seven-minute piano piece. Each note is either followed or preceded by a rest, and so the termination of a note can serve as a reference to a point in time as an alternative to the beginning of the note playing the same role Maconie— On 22 December Rzewski made the first recording for commercial release, in the Ariola sound studios in Berlin Henck b5—6.

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Share on facebook twitter tumblr. The music within each fragment is fully notated as to pitch, register, and duration. The key components of this piece are sounded at the very start: Views Read Edit View history. Compositions by Karlheinz Stockhausen.

Klavierstücke (Stockhausen) – Wikipedia

List of compositions by Karlheinz Stockhausen Category: In the opera, Michael is portrayed in the first examination by the tenor singer, in the second by the trumpet with additional accompaniment of basset-hornand in the third by a dancer. Although the piece is precisely notated, there is no specific part for the keyboardist to perform.

In the ascending direction: With the addition in of a part for girls’ choir, it became act 2, scene 2 of Montag aus Licht Stockhausen a, Interspersed into these are groups of grace-note chords and clusters, as well as tremolos, trills, and harmonics, and these two levels are constructed independently Toop Juli statt, dem letzten Tag der Kurse in der Orangerie in Darmstadt: Articles with hAudio microformats Interlanguage link template link number Articles containing Portuguese-language text Wikipedia articles with GND identifiers Wikipedia articles with MusicBrainz work identifiers.

When writing out the fragments, Stockhausen doubled the note values from the ones in the matrix Truelove, so that, in the score, fragments 1—4, 5—7, 8—10, 11—13, 14—16, and 17—19 have overall durations of 3, 6, 10, 15, 21, and 28 quarter notes, respectively.

There are six of these series and therefore 36 groupsand when the six series klavierwtck arranged in a square:. Er wird durch die ganze Szene hindurch von einem Pianisten begleitet.

The repetitions of these central notes makes them particularly obvious Stockhausen Drinking Hanging Out In Love.